Books with title The Old Woman and Her Pig and 10 Other Stories

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Edith Wharton (born Edith Newbold Jones, January 24, 1862 – August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. Her works : The Touchstone, 1900 The Valley of Decision, 1902 Sanctuary, 1903 The House of Mirth, 1905 Madame de Treymes, 1907 The Fruit of the Tree, 1907 Ethan Frome, 1911 The Reef, 1912 The Custom of the Country, 1913 Bunner Sisters, 1916 Summer, 1917 The Marne, 1918 The Age of Innocence, 1920 (Pulitzer Prize winner) The Glimpses of the Moon, 1922 A Son at the Front, 1923 Old New York, 1924 The Mother's Recompense, 1925 Twilight Sleep, 1927 The Children, 1928 Hudson River Bracketed, 1929 The Gods Arrive, 1932 The Buccaneers, 1938 Fast and Loose, 1938 (first novel, written in 1876–1877)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Seven short stories from one of the most celebrated authors of the early twentieth century have been updated with an eye toward readability for modern readers. The bones of the stories are just as she told them with no changes to plot or settings. Best of all the book includes the original unedited versions in appendices. The Hermit and the Wild Woman: One escapes from war, the other from a convent, only to find themselves together in their solitude. The Last Asset: A social-climbing mother is eager to use her daughter's wedding to her own benefit. In Trust: The dream of an art academy is shared by friends who struggle to realize it. The Pretext: An older married woman considers what to do when a younger man falls in love with her. The Verdict: A man finds out why a successful painter suddenly stops painting. The Pot Boiler: A poor painter decides between artistic principles and money. The Best Man: A governor faces a scandal.

Excerpt from The Hermit and the Wild Woman: And Other Stories; Ethan FromeThe Hermit lived in a cave in the hollow of a hill. Below him was a glen, with a stream in a coppice of oaks and alders, and across the valley, half a day's journey distant, another hill, steep and bristling, raised against the sky a little walled town with Ghibelline swallow-tails.When the Hermit was a lad, and lived in the town, the crenellations of the walls had been square-topped, and a Guelf lord had flown his standard from the keep. Then one day a steel-coloured line of men-at-arms rode across the valley, wound up the hill and battered in the gates. Stones and Greek fire rained from the ramparts, shields clashed in the streets, blade sprang at blade in passages and stairways, pikes and lances dripped above huddled flesh, and all the still familiar place was a stew of dying bodies. The boy fled from it in horror.

EDITH WHARTON (1862-1937), née Newbold Jones, American novelist and short story writer, born in New York of a distinguished and wealthy family. She was educated privately at home and in Europe. She married Edward Robbins Wharton in 1885 and they settled in France in 1907. They were divorced in 1913. She devoted her energy to a cosmopolitan social life, which included friendship with H. James, and to a literary career, which began with the publication of poems and stories in “Scribner´s Magazine”. Her first volume of short stories, “The Greater Inclination” (1899), was followed by a novella, “The Touchstone” (1900), but it was “The House of Mirth” (1905), the tragedy of failed social climber Lily Bart, which established her as a leading novelist. Edith Wharton´s chief preoccupation is with the conflict between social and individual fulfilment which frequently leads to tragedy.